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May 10, 2007

GIGI Overture Causes Boston Pops Balcony Brawl

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Will Mass. lawmakers call for an all-out ban on classical music performances after last night's balcony brawl during the Boston Pops opening night performance at Symphony Hall? (Light classical fans: they're a rough crowd.)

According to eyewitnesses, conductor Keith Lockhart had to silence the orchestra -- and guest performer Ben Folds of Ben Folds Five -- during the overture to "Gigi" as two men came to blows in the balcony. (MSNBC has video of the fight, which is particularly alarming because the balcony rail is so low in front.) No arrests or injuries were reported.

February 17, 2007

Oscar Maestros: Lyricist Ray Evans, 3-Time Winner, Dies At 92

Hollywood lyricist Ray Evans - a four time Academy Award winner for songs like Mona Lisa and Que Sera, Sera, died Feb. 15 at the age of 92. With songwriting partner Jay Livingston, who wrote the music, he was one of film's most prolific songwriters.

Their Academy Awards wins:

"Buttons and Bows" from THE PALEFACE.
"Mona Lisa" from CAPTAIN CAREY, USA.
"Whatever Will Be, Will Be (Que Sera, Sera)" THE MAN WHO KNEW TOO MUCH"

December 27, 2006

Fly 'Idlewild' - The Other Flashy Musical of '06

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Fly IDLEWILD, the other flashy-cool musical of 2006.

Stephanie Zacharek of Salon put it on her year's ten-best list.

"Messy and extraordinary, Bryan Barber's Prohibition-era musical, starring OutKast's Andre 3000 and Big Boi, is a dream history of black pop culture, and a testament -- to paraphrase a line from Stanley Crouch -- to the ways that inventing, borrowing and refining can bring us closer to the lives we want to lead. One of the most beautiful-looking pictures of the year (the cinematography is by Pascal Rabaud), "Idlewild" slipped out of theaters before most people could see it on the big screen. It deserves an immediate rep-house revival."

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November 25, 2006

The Year's Best Film Scores: 'Last King,' 'Breaking & Entering'

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Jude Law in Breaking and Entering

In the Times of London Nov. 26, Rob Nash looks at some of the more intriguing film scores of 2006, nothing that "the widespread practice in the industry of hiring a composer just three months before a film is finished does not make things easy" to evoke time and place and mood.

Nash's picks for the most successful movie music of fall?

BREAKING AND ENTERING
Composer: Gabriel Yared, who worked with director Anthony Minghella on THE ENGLISH PATIENT, THE TALENTED MR. RIPLEY and COLD MOUNTAIN.
Director: Anthony Minghella
" A thoughtful, cohesive score that adeptly sets the mood of dissociation and disquiet as Debussian piano figures blend into Underworld-ian pulsating loops."
Listen up: Yared scored Germany's 2007 Academy Award submission, the Cold War drama THE LIVES OF OTHERS.
That music in your head and your bed? His theme from BETTY BLUE.

THE PRESTIGE
Composer: David Julyan
Christopher Nolan "didn't want a score that reflected the period," says Julyan "The mood we created was much more about the sense of anticipation of magic.
Credits: After working Nolan on his debut feature film FOLLOWING, Julyan did the music for MEMENTO and INSOMNIA.
Listen up: He also did the creepy subterranean undertones for THE DESCENT.

THE LAST KING OF SCOTLAND
Composer: Alex Heffes (TOUCHING THE VOID)
Director Kevin McDonald “wanted to show the vision that Amin had," says Heffes. "So rather than portray Africa as mud huts and tribal music, we wanted the soundtrack to be a bit funky, a bit groovy, a bit 1970s."

The team tracked down Kampala recording artists from the era and had them record a country and western song, as it might have been covered in a hotel lounge. Because the story begins Scotland, and because Amin, a veteran of a Scots army division, had a strong affinity for all things Scottish, the music has High- and Lowland echoes. "The collision of East Africa and northern Europe sounds weird and encapsulates the fanatical love of Scotland of a dictator who sent Ugandans there to learn the bagpipes so that he could have a piping band."


November 13, 2006

James Bond Movie Songs: Listen & Learn

On the radio this past weekend, I heard an NPR feature about some of the best and worst attempts at James Bond theme songs. Commentator Andy Trudeau, who usually checks in at Academy Award time to listen to the Oscar-nominated film scores, pointed out some of oddities of the audio portion of the Bond franchise. [CASINO ROYALE's song, "You Know My Name," is performed by Soundgarden singer Chris Cornell. Unlike most Bond theme songs, movie's title doesn't appear in the lyrics.]

NPR's site will let you listen to the story and four of the songs -- including Tom Jones' hip-shaking "Thunderball."

Pity the lyricists who had to fit some of the longer, stranger titles (A VIEW TO A KILL, THE LIVING DAYLIGHTS) Okay, don't pity A-ha, the Swedish synth-pop group who did the song for the latter film. Trudeau reads the lyrics and they're like refrigerator magnet randomness.

I'm fond of Lulu's song THE MAN WITH THE GOLDEN GUN. Too much information.

Love is required whenever he's hired, It comes just before the kill. No-one can catch him, no hit man can match him For his million dollar skill.

and

His eye may be on you or me.
Who will he bang?
We shall see. Oh yeah!

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