May 09, 2008
Trailering San Yuan Li
A 5-minute preview, described thusly at the YouTube page: "San Yuan Li, a collaborative project by Ou Ning, Cao Fei and U-thèque members, is a case study of the typical "village-amidst-the-city" phenomenon in the process of urbanization in Guangzhou."
Posted by Ray Pride at 03:27 PM | Comments (0)
PR: Lionsgate's Got Ollie's Dubya
Here's EW's telling of the unfolding tale. And now from over the transom:
"LIONSGATE CASTS VOTE FOR QED INTERNATIONAL’S BUSH BIOPIC W, DIRECTED BY OSCAR® WINNER OLIVER STONE
Studio Acquires Distribution Rights In North America, U.K., Australia, New Zealand
All-Star Cast Include Josh Brolin, Elizabeth Banks, James Cromwell, Oscar® Winner Ellen Burstyn, Thandie Newton, Jeffrey Wright, Scott Glenn, Ioan Gruffud
Set For Release October 17, 2008
SANTA MONICA, CA (May 8, 2008) – LIONSGATE® (NYSE: LGF), the leading independent filmed entertainment studio, announced today that in a deal with Omnilab Media it has acquired North American distribution rights from QED International to W, a biopic about President George W. Bush directed by Academy Award® winner Oliver Stone (WORLD TRADE CENTER, PLATOON, WALL STREET) from a screenplay by Stanley Weiser (WALL STREET). Lionsgate will also distribute W in the U.K., Australia and New Zealand. The announcement was made today by Lionsgate President of Theatrical Films Tom Ortenberg.
W stars Josh Brolin (NO COUNTRY FOR OLD MEN) as George W. Bush, Elizabeth Banks (SEABISCUIT) as Laura Bush, James Cromwell (THE QUEEN) as George Herbert Walker Bush, Academy Award® winner Ellen Burstyn (REQUIEM FOR A DREAM) as Barbara Bush, Thandie Newton (CRASH) as Condoleezza Rice, Jeffrey Wright (SYRIANA) as Colin Powell, Scott Glenn (THE BOURNE ULTIMATUM) as Donald Rumsfeld, and Ioan Gruffud (FANTASTIC FOUR) as Tony Blair. The film’s producers are Moritz Borman, Jon Kilik and Bill Block.
W begins production on May 12th in Louisiana. Lionsgate is releasing the film on October 17, 2008.
“It’s an honor to be in business with Oliver Stone, a brilliant and consistently adventurous filmmaker,” said Ortenberg. “With W, he again demonstrates his creative vitality and genius for speaking to our times.”
Commented Block, “W is in the most innovative hands with Lionsgate and Omnilab Media. With the backdrop of the election this fall, W will be an event picture that will be eagerly anticipated. Oliver Stone, Moritz Borman and myself could not be more excited about Lionsgate leading the charge this October.”
Christopher Mapp said, “We had a great experience with Lionsgate on THE BANK JOB, and we are delighted to reunite with them as we continue our strategy in investing in quality films that are made by innovative and unique storytellers.”
Said Stone, “The impact of George W. Bush’s presidency will be felt for many years to come. Despite a meteoric, almost illogical rise to power, and a tremendous influence on the world, we don’t really know much about Mr. Bush beyond the controlled images we’ve been allowed to see on TV. This movie’s taking a bold stab at looking behind that curtain. I’m real pleased that Liongate [sic] has the independence necessary to bring this provocative story to an American audience.”
Continue reading "PR: Lionsgate's Got Ollie's Dubya"
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May 08, 2008
Some will fall...: Goodbye Warner Independent, Picturehouse, hello "spectrum of genres" New Line
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May 07, 2008
Salvador Dali on heartburn
Continue reading "Salvador Dali on heartburn"
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Standard Operating Procedure: two clips and a trailer
This clip of Lynndie England—"It's a man's world"—is one of the marvels of Errol Morris' Standard Operating Procedure.
Clip below: "Iraq war torture."
Below: trailer.
Posted by Ray Pride at 02:44 PM | Comments (0)
Battle For Haditha (2007, *** 1/2)
Nick Broomfield's Battle for Haditha, which depicts the notorious 2005 massacre of twenty-four Iraqi civilians draws on all the qualities of his decades-long practice as a documentary filmmaker, and its greatness may be indicated by the utter disinterest by U.S. distributors. Comparisons of its vérité approach to seeking 
all sides of the conflict have led to comparisons to Apocalypse Now, but its most direct forebear would be Gillo Pontecorvo's Battle of Algiers. Fearlessness in the pursuit of picturing the world is necessary. Writes Manohla Dargis in the New York Times: "Even as he creates an almost unbearable level of tension in his film — mostly through deft parallel editing that draws the marines, the victims and the insurgents inexorably together — Mr. Broomfield maintains a level of cool detachment throughout. That’s to the good of the movie, which, though technically exemplary, falters dramatically on occasion, becoming dangerously close to overheated whenever the characters speak for any length. The performers apparently did a fair amount of improvisation, and too often their talk veers into exposition, which, however heartfelt and true, paradoxically sounds (badly) scripted. At times there is a kind of therapeutic quality to the entire enterprise, almost as if the marines, the Iraqis and Mr. Broomfield were collectively trying to work through a nightmare from which none have awakened." [Opens today in NYC at Film Forum; print via its international distrib, Hanway Films.]
Posted by Ray Pride at 12:26 PM | Comments (0)
Bubblegum for the internet: candy conglom skeetches on dump-Uwe Boll initiative
PR of the day: one of the products from the Cadbury Adams confectionary conglomerate piles on the unstoppable Uwe Boll, joining in the campaign for the online petition to stem his career. As received: "It’s a scientific fact that Uwe Boll makes the worst movies on planet earth. The only person that disagrees is Uwe Boll . The man himself said he’ll cease making movies if 1 Million people signed the petition at StopUweBoll.Org. To sweeten the incentive to sign, Stride Gum announced today that it will give out a million packs of gum IF the petition number reaches 1 million. It’s too late to stop Postal..., but with your help, we can reclaim our theaters...
STRIDE® GUM DECLARES ITS SUPPORT FOR STOPUWEBOLL.ORG
The Makers of Stride, The Ridiculously Long Lasting Gum®, Offer
A Total of One Million Packs of Gum to Signers of the Anti-Uwe Boll Petition*
May 7, 2008, Parsippany, NJ – In an effort to protect the childhood dreams of millions of video gamers everywhere, the makers of Stride gum announced 
today that they are launching a special campaign supporting the efforts of StopUweBoll.org in their attempt to convince famed film director Uwe Boll to stop making video game-based films.
For years, Uwe Boll has piqued the ire of the gaming community by adapting many of their favorite games into universally panned films. On April 4, 2008, Uwe Boll remarked to legendary horror site FearNet that he'd consider acquiescing to his critics and abandoning making films in this genre if an online petition reached one million signatures. As of press time, the petition is just about 234,000 names, which is why Stride has decided to jump in.
“Since gamers are one of our most supportive groups, we’ve been looking for ways to return the favor,” said Gary Osifchin, Stride North American Marketing Director. “And what better way is there to get gamers’ backs than by helping them rescue their cherished videogames from the clutches of Uwe Boll ?”
In an effort to help boost signings, the makers of Stride have put out a special bounty. If the petition reaches the required 1 million signatures by May 14 at 5pm EDT, each signer will receive a digital coupon* for a pack of gum, downloadable on May 23, 2008, a day that could really use some long-lasting refreshment, particularly as it will see the debut of his latest videogame-based film.
"Look, it's nothing personal against the guy. Maybe his non videogame-based films are unbelievable! But we've seen such intense passion for this cause that we couldn't help but get involved," said Osifchin. "Let the signing continue." [The release continues below.]
Continue reading "Bubblegum for the internet: candy conglom skeetches on dump-Uwe Boll initiative"
Posted by Ray Pride at 11:13 AM | Comments (0)
A moment of contemplation
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May 06, 2008
Brian Eno loves Barry Lyndon
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Trailering Catherine Hardwicke's Twilight
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May 05, 2008
Cinco de Mayo!
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May 04, 2008
What is indie?
At the MP3 blog Moistworks, commenters consider "what is indie rock"? The reflections offer some glancing notions that are as valid when thinking about where the heck movies are going... Douglas Wolk, author and critic: "Indie is short for "independent." There are four major labels: EMI, Sony BMG, Universal and Warner. If a label ultimately answers to one of those four companies - if one of those companies has the power to make direct decisions about what the label does, or signs its 
paychecks--then it has a dependent relationship with that company, and the artists affiliated with it aren't "independent" either. That's a definition, not a value judgement, although it sometimes has value judgements attached to it. And it's a very useful tool for understanding where certain recordings and artists and labels fit into the economic matrix - what resources they have available to them, etc. "Indie rock" has a generally understood meaning, largely associated with what a bunch of guitar bands on independent labels did in the '80s and '90s. It is, in fact, a subset of rock released on independent labels - an aesthetic that got its name from its economic circumstances. But the reason it got its name that way is that the idea of deliberate financial independence from a few large companies was, and sometimes still is, an important part of the intention and meaning of a lot of "indie rock" artists' work. To claim that a band can be "indie" without being financially independent of the major labels is to pretend that industrial capitalism does not exist." Luc Sante differs: "The way I see it, "indie" is a definable genre, not just a declaration of limits vis-a-vis the market (since, after all, there are tens of thousands of variously rebarbative musical units far less market-friendly than anything that can be labeled "indie"). If punk is descended from the Stooges, indie is descended from the Modern Lovers. Both subgenres come down from '60s garage rock, but indie takes the introspective, romantic, self-conscious, 
self-doubting road. Indie is usually friendly, catchy, and openhearted enough that it seems as though it should be accessible to all and therefore mass-popular in that old AM-radio way, but in fact it represents a formerly centrist aesthetic that's been pushed out to the fringes by a bunch of large historical forces. Its self-doubt, a crucial element, also tends to limit its appeal, and I'll let you guess what demographic unit feels sufficiently secure to countenance it. When something that sounds indie makes it to the big show, it's usually either because a freak weather pattern broke its way, or else because an indie wrapping coats something slick and shallow. Indie is a lot like the kind of American novelists who are kept in print by the French. Jim Thompson may speak to the soul of the nation, but Americans would generally rather read James Patterson." More comments at the link from John Wesley Harding, novelists Christopher Sorrentino and Jonathan Lethem, among others. Video: Sebadoh performs "Gimme Indie Rock." [Via Ben Greenman.]
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