« Andrew Sarris: the extended remix | Main | Bomb the esthetics: style over substance »

May 27, 2005

Thumbsucker: Longest Yard prompts Ebertian meditation

In a 3-star review, the co-host of "Ebert & Roeper" considers, to thumb or not to thumb? while giving away some trade secrets: "3 weeks ago I saw The Longest Yard, and before I left for [Cannes], I did an advance taping... on which I gave a muted thumbs-up to Richard Roeper's scornful thumbs-down... Now 3 weeks have passed and I have seen 25 films at Cannes, most of them attempts at greatness, and I sit here staring at the computer screen and realizing with dread that the time has come for me to write a review justifying that vertical thumb... I said what I sincerely believed at the time. I believed it as one might believe in a good cup of coffee; welcome while you are drinking it, even completely absorbing, but not much discussed three weeks later. Indeed after my immersion in the films of Cannes, I can hardly bring myself to return to The Longest Yard at all, since it represents such a limited idea of what a movie can be and what movies are for... There is a sense in which attacking this movie is like kicking a dog for not being better at calculus... I often practice a generic approach to film criticism, in which the starting point for a review is the question of what a movie sets out to achieve. The Longest Yard more or less achieves what most of the people attending it will expect. [But] I have just come from 12 days at Cannes during which several times each day I was reminded that movies can enrich our lives, instead of just helping us get through them."

Posted by at May 27, 2005 09:34 AM

Comments

Post a comment

Thanks for signing in, . Now you can comment. (sign out)

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)


Remember me?