Main

January 22, 2009

Reactions to Just Being Nominated

I was in my living room (at his home in Rhode Island) having a cup of coffee, and my son's father-in-law called me. ... He said, 'Way to go.' And I said, 'What?' He said, 'You not watch it?' I said, 'Really?' I was truly floored.
— Richard Jenkins, best-actor nominee for The Visitor

It feels surreal. I just got a call from [onetime costar] Javier Bardem in Spain, and he was flipping out and screaming. The reality is I got up at 5:55 here in Utah and looked at the clock and figured the nominations were announced and it didn't happen. I said to myself, 'That's OK, I can deal with it.' Then I realized there's a one-hour time difference.
— Josh Brolin, supporting-actor nominee for Milk

Continue reading "Reactions to Just Being Nominated" »

February 25, 2008

The Oscar After-Glow ...

"That was fantastic. I loved it. That was funny and smart. Isn't it great when it's all over?"
- Helen Mirren to Jon Stewart
______________________


"Getting a text from Bono is the biggest thing that can happen to an Irishman."
- Glen Hansard on congratulations from Bono

_____________________

"I'm totally overwhelmed with joy and then sparkles and fireworks and everything which goes like bam, bam, bam!"
- Marion Cotillard

_____________________

"I'm feeling tremendously relieved that I don't have to go home and explain to all my friends and family about why it didn't happen. Great joy, actually. It's a lovely marker."
- Daniel Day-Lewis, not going home empty-handed

_____________________


''I'm an absolute dummy with a computer...so I can't speak to what's happening today so much. But I do miss the community that we had then. People seemed to work together more in those days. They are more separate these days.... I think you have the tools now that you can do anything. Unfortunately, very often you do everything. Discipline in art is also very important. The things you don't say are sometimes as important as what you do say. And if you do too much, you destroy the point you are trying to make.''
- Robert Boyle
______________________

''He's elderly and unhappy, probably not well.''
- Ethan Coen when asked about Roderick Jaynes

February 24, 2008

BEST MOTION PICTURE OF THE YEAR

Scott Rudin: This is an unbelievable honor and a complete surprise. So many people have a part of this, chief among them Cormac McCarthy, who wrote a wonderful book that it was an honor to make into a movie. The three men sitting down front, Josh Brolin, Tommy Lee Jones, Javier Bardem, without them there would be no movie.

These two gentlemen [to Joel and Ethan Coen], I can't think of anybody I would rather be standing here with than the two of you. Thank you so much for this.

Everybody at Vantage and Miramax who financed the movie together. The entire team at Miramax who did a brilliant, brilliant job selling it. Thank you to all of them.

I want to thank Mark Roybal, It's a pleasure to work with him every day.

I want to thank my friend, Sydney Pollack, who taught me that with the responsibility -- with the opportunity to make movies comes the responsibility of making them good. This for him.

- Scott Rudin, Joel Coen and Ethan Coen on accepting the Oscar for "No Country for Old Men"

ACHIEVEMENT IN DIRECTING

Ethan Coen:
I don't have a lot to add to what I said earlier. Thank you.

Joel Coen:
Ethan and I have been making stories with movie cameras since we were kids. In the late '60s when Ethan was 11 or 12, he got a suit and a briefcase and we went to the Minneapolis International Airport with a Super 8 camera and made a movie about shuttle diplomacy called "Henry Kissinger, Man on the Go." And honestly, what we do now doesn't feel that much different from what we were doing then. There are too many people to thank for this. We're really thrilled to have received it, and we're very thankful to all of you out there for letting us continue to play in our corner of the sandbox, so thank you very much.

- Joel and Ethan Coen on accepting the Oscar for "No Country for Old Men"

PERFORMANCE BY AN ACTOR IN A LEADING ROLE

And that's the closest I'll ever come to getting a knighthood, so thank you.

My deepest thanks to the members of the Academy for whacking me with the handsomest bludgeon in town. I'm looking at this gorgeous thing you've given me and I'm thinking back to the first devilish whisper of an idea that came to him and everything since and it seems to me that this sprang like a golden sapling out of the mad, beautiful head of Paul Thomas Anderson.

I wish my son and my partner HW Plainview were up here with me, the mighty Dillon Freasier. So many people to thank. One amongst them would be Mrs. Plainview down there, the enchantingly optimistic, open-minded and beautiful Rebecca Miller.

I hope that all those to whom I owe and to whom I feel the deepest gratitude will forgive me if I say just simply, "Thank you, Paul."

I've been thinking a lot about fathers and sons in the course of this, and I'd like to accept this in the memory of my grandfather, Michael Balcon, my father, Cecil Day-Lewis, and my three fine boys, Gabriel, Ronan and Cashel. Thank you very much indeed. Thank you.

- Daniel Day-Lewis on receiving the Oscar for "There Will Be Blood"

ORIGINAL SCREENPLAY

What is happening? This is for the writers, and I want to thank all the writers. I especially want to thank my fellow nominees because I worship you guys and I'm learning from you every day, so thank you very much. I want to thank the Academy, I want to thank Fox Searchlight, Mr. Mudd, Mandate, Dan Dubiecki. I want to thank our incredible cast including the superhuman Ellen Page. I want to thank Jason Reitman, who I consider a member of my family, and I'm in awe of his talent as a filmmaker. I want to thank Sarah Self. I want to thank Mason Novick who knew I could do this before I did. And most of all, I want to thank my family for loving me exactly the way I am.

- Diablo Cody on receiving the Oscar for "Juno"

BEST DOCUMENTARY SHORT SUBJECT

Cynthia Wade:
Thank you. It was Lieutenant Laurel Hester's dying wish that her fight for, against discrimination would make a difference for all the same sex couples across the country that face discrimination every day. Discrimination that I don't face as a married woman. Sheila Nevins and HBO for making this film have a broadcast and a home on Cinemax later this year. To my husband Matthew Syrett, who took care of our children and held down a full-time job so that we could make this film. And to our incredible team in New York, thank you so much.

Vanessa Roth:
And to all our supporters and families who believe that even a 38-minute movie could change minds and lives and our children who remind us about what's really important. And to Stacie, who's here tonight, who's really auto mechanic by day but hero in life who always did what was right. And she's here tonight. So thank you so much.

Cynthia Wade:
Thank you.

- Vanessa Roth and Cynthia Wade on accepting the Oscar for "Freeheld"

ACHIEVMENT IN CINEMATOGRAPHY

John Toll won this a number of years ago said that the production designer on his movie, that 50% of it belonged to him. Well, 80% belongs to Jack Fisk and his production crew. And David Crank and Dylan Tichenor. But it really, we all know it really, really belongs to Paul. That this is his imagination and his energy and his extraordinary vision. It sort of enabled us to create the world of "There Will Be Blood." Thank you, Paul. We're really all standing on the shoulders, we know this, of Daniel Day-Lewis, who isn't here right now, but thank you all so much. Thank you. And Helen. Thank you so much.

- Robert Elswit on receiving the Oscar for "There Will Be Blood"

BEST DOCUMENTARY FEATURE

Alex Gibney:
Wow. Thank you very much, Academy. Here's to all doc filmmakers. And, truth is, I think my dear wife Anne was kind of hoping I'd make a romantic comedy, but honestly, after Guantanamo, Abu Ghraib, extraordinary rendition that simply wasn't possible. This is dedicated to two people who are no longer with us, Dilawar, the young Afghan taxi driver, and my father, a Navy interrogator who urged me to make this film because of his fury about what was being done to the rule of law. Let's hope we can turn this country around, move away from the dark side and back to the light. Thank you very much.

- Alex Gibney and Eva Orner on receiving the Oscar for "Taxi to the Dark Side"

BEST FOREIGN LANGUAGE FILM OF THE YEAR

Thank you very much. There have been some great Austrian filmmakers working here, thinking of Billy Wilder, Fred Zinnemann, Otto Preminger, most of them had to leave my country because of the Nazis, so it sort of makes sense that the first Austrian movie to win an Oscar is about the Nazis' crimes. Making this movie, I had a most brilliant cast, a wonderful crew, the best of all families to support me at home, so actually, it was easy for me. Thank you very much.

- Stefan Ruzowitzky on receiving the Oscar for "The Counterfeiters"

ACHIEVEMENT IN FILM EDITING

Forty-eight years ago, my father was privileged enough to receive an Oscar, and I'm deeply, deeply honored that you put me in his company tonight. To the brilliant Paul Greengrass, to Frank Marshall, thank you, thank you, thank you. To everybody in post-production, led by my good friend and colleague, Mark Fitzgerald, each and every one of you share in this award with me. To Universal Pictures, to the Academy, my deepest, deepest thanks. To the amazing Matt Damon, thank you. And to my family, especially Anne, Anno, Ava and Fiona. My kids, I love you. Thank you so, so much.

- Christopher Rouse on receiving his Oscar for "The Bourne Ultimatum"

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG)

Glen Hansard:
Thanks! This is amazing. What are we doing here? This is mad. We made this film two years ago. We shot on two Handycams. It took us three weeks to make. We made it for a hundred grand. We never thought we would come into a room like this and be in front of you people. It's been an amazing thing. Thanks for taking this film seriously, all of you. It means a lot to us. Thanks to the Academy, thanks to all the people who've helped us, they know who they are, we don't need to say them. This is amazing. Make art. Make art. Thanks.

Marketa Irglova:
Hi everyone. I just want to thank you so much. This is such a big deal, not only for us, but for all other independent musicians and artists that spend most of their time struggling, and this, the fact that we're standing here tonight, the fact that we're able to hold this, it's just to prove no matter how far out your dreams are, it's possible. And, you know, fair play to those who dare to dream and don't give up. And this song was written from a perspective of hope, and hope at the end of the day connects us all, no matter how different we are. And so thank you so much, who helped us along way. Thank you.

- Glen Hansard and Marketa Irglova on receiving the Oscar for "Falling Slowly"

ADAPTED SCREENPLAY

Joel Coen:
Thank you very much for this. Thank you, Scott Rudin for bringing us this novel and giving us the opportunity to make the movie. I think whatever success we've had in this area has been entirely attributable to how selective we are. We've only adapted Homer and Cormac McCarthy, so thank you.

Ethan Coen:
We, uh and thank you very much.

- Joel Coen and Ethan Coen on receiving the Oscar for "No Country for Old Men"

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE

Oh, no. Happy birthday, man. I have an American agent who is the spitting image of this. Really truly the same shape head and, it has to be said, the buttocks.

And I'm giving this to him because there's no way I would be in America at all ever on a plane, if it wasn't for him. So, Brian Swardstrom, I'm giving this to you. And Tony Gilroy walks on water, it's entirely official as far as I'm concerned, and Jen Fox and Steve Samuels, our incredible producers.

And Sydney Pollack, and George Clooney, you know, the seriousness and the dedication to your art, seeing you climb into that rubber bat suit from "Batman & Robin," the one with the nipples, every morning under your costume, on the set, off the set, hanging upside-down at lunch, you rock, man.

- Tilda Swinton on receiving the Oscar for "Michael Clayton"

ACHIEVEMENT IN SOUND MIXING

Scott Millan:
Would it be all right to kiss Halle Berry now? We'd like to thank the Academy, certainly, Per and Karen, just thank you, principally everybody, Frank Marshall, Pat Crowley. Our director, Paul Greengrass. Chris Rouse, our picture editor. Everybody at Universal, Per and Karen, of course. Everybody at Todd AO, our team there.

And I'd like to add one thing, kind of a somber note, this last week we lost a colleague and a friend, who was also a member of the Board of Governors here at the Academy, his name is Paul Huntsman. I would like to dedicate this to Paul. So, thank you very much.

David Parker:
Thanks to everyone who worked on sound for the film and thanks to the Academy. Thank you very much.

- Scott Millan, David Parker and Kirk Francis on receiving the Oscar for "The Bourne Ultimatum"

ACHIEVEMENT IN SOUND EDITING

Karen Baker Landers:
Oh my God, I went blank. It's such an honor to be here. I want to thank, we want to thank the Academy. We want to thank Universal Studios.

Per Hallberg:
And the pleasure of doing something like this with filmmakers like Paul, and I'm blanking out, too.

Karen Baker Landers:
Frank Marshall

Per Hallberg:
Pat Crowley

Karen Baker Landers:
Pat Crowley

Per Hallberg:
Chris Rouse

Karen Baker Landers:
Chris Rouse. Paul Greengrass.

Per Hallberg:
You said that already.

Karen Baker Landers:
Mixers. Scott Millan, David Parker. We planned this and we blew it.

Per Hallberg:
And, anyway, most of all, we want to thank the crew that works with us every day.

Karen Baker Landers:
Yes, gosh, Chris Assells, Dan Hegeman, I know, I know, music. Thank you so much.

Per Hallberg:
Thank you, thank you.

- Karen Baker Landers and Per Hallberg on receiving the Oscar for "The Bourne Ultimatum"

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE

Wow. Alright, this is very amazing. It's a great honor for me to have this. I want to & I have to speak fast here, man. Thank you to the Coens for being crazy enough to think that I could do that and put one of the most horrible haircuts in history over my head.

Thank you for really proving my work. I want to share this with the cast, with the great Tommy Lee Jones, with the great Josh Brolin, with the great Kelly MacDonald. And I want to dedicate this to my mother, and I have to say this in Spanish, and I'm sorry...

[Speaking in Spanish]

Thank you very much!

- Javier Bardem on receiving the Oscar for "No Country for Old Men"

CATEGORY: ACHIEVEMENT IN ART DIRECTION

Dante Ferretti:
Thank you to the Academy. And thank you to Tim Burton, fantastic director. Thank you to Richard Zanuck. Thank you to everybody, thank you to my team, all the department, everyone. Thank you, Johnny. And I'm sorry, i forgot something, but I'm very -- thank you anyway.

Francesca Lo Schiavo:
Just i would like to say, this time, thank you, thank you to the Academy. I'm so happy, so grateful. And thank you to Tim Burton. Great director. Johnny Depp and all the actors, Everybody, for this fantastic movie.

- Dante Ferretti and Francesca Lo Schiavo on receiving the Oscar for "Sweeney Todd: The Demon Barber of Fleet Street"

BEST ANIMATED SHORT FILM

Suzie Templeton:
This is for everyone. This for our fantastic crew and this for everybody who worked so passionately on our film to make our dream come true.

Hugh Welchman:
Yeah, no this really is a fairy tale ending for us, but hopefully it's only the beginning for Peter and this amazing award, and it will help keep Prokofiev's "Peter and the Wolf" in the hearts and minds of children all over the world. So, the Academy, thank you so much. it's been amazing.

- Suzie Templeton and Hugh Welchman on receiving the Oscar for "Peter and the Wolf"

BEST ANIMATED FEATURE FILM OF THE YEAR

I think I'm gonna throw up, too. I want to thank the Academy and I also want to thank my junior high guidance counselor for a meeting we had where he asked me, "What do you want to do with your life?" And I said, "I want to make movies." And he said, "What else do you want to do with your life?" And I said, "Make movies," and he said, "What if you couldn't make movies," and I said, "I'd find a way that I could."

"What if movies didn't exist?"

"I'd have to invent them." And it went on like this until we were sick of each other and i only realized just recently that he gave me the perfect training for the movie business.

So, I want to thank my wife Liz, who I love, my sons, all the dreamers at Pixar and Disney, John Lasseter, Steve Jobs, Ed Catmull. Wrap it up. I hate that thing. Producer Brad Lewis, Jan Pinkava, and Dick Cook, and all the dreamers who are supporting a rat who dreams. Thanks.
- Brad Bird on receiving the Oscar for Ratatouille

ACHIEVEMENT IN MAKEUP

Didier Lavergne:
Thank you very much. Thank you to the Academy and what can I say? I'm really happy and proud to be here with you. Bye.

Jan Archibald:
Thank you to the academy for this huge honor. I'm overwhelmed. It's just amazing. I have a lot of people to thank. My assistants, particularly, my Czech crew that worked with us in Prague and in Paris, they were amazing. They worked very hard and I owe a lot to them. And just, it's so exciting to be here. I don't know what to say. Thank you.
- Didier Lavergne and Jan Archibald on receiving the Oscar for La Vie en Rose

ACHIEVEMENT IN COSTUME DESIGN

"Wow. Thank you to the Academy. Thank you to Working Title and Universal. To Shekhar and Cate. And a huge thank you to my brilliant team and to my family."
- Alexandra Bryne, on receiving the Oscar for Elizabeth: The Golden Age

Red carpet awe ..

"I never even thought I'd say an Italian name, let alone wear a dress by an Italian designer"
- 13 year old Saoirse Ronan

Blogging the good times

"Holy crap?!? Is that Gary Busey giving Jennifer Garner a hickey?!? Garner's reaction to Seacrest is priceless. "You're not going to ask me about getting kissed on the neck on the red carpet by this man?" Please please PLEASE show us the video footage when Busey gets tasered."

- Peter Hartlaub's Red Carpet Blog, who "Like most straight males, I love love love the red carpet shows that precede the Academy Awards."

Gushing praise ...

"It's amazing how real it looks."

- Jason Bateman from the red carpet, talking about George Clooney's hair

February 23, 2008

Oscar's Fifth Man

"The great joy of knowing you're not going to win is that you don't really have to be nervous. As a director, I feel very lucky to be in that group; I am definitely the fifth man in and it's a thrill to be nominated and it allows me to just enjoy the evening."

- Juno's Jason Reitman on his Oscar nom for best director

"I worry about Meryl ..."

"I worry about Meryl. She's so smart. She's so talented. I felt so bad for her last year at this event. I had the highest expectations for her because of the role she was nominated for."

- Tim Gunn on his fashion hopes for Meryl Streep

They're fun, but they don't really matter ...

"The commercial fate of serious movies is now, to a disturbing extent, dependent on the Academy Awards. In the old days it was more often the opposite: the academy would belatedly gild the lily of commercial success with a shiny finish of ersatz class. This vulgarity was the saving grace of the Oscars. It was not necessary for film lovers to take them seriously or for media outlets to cover them like presidential campaigns, with horse-race reporting, sober analysis and war room spin doctoring. A bit of perspective is needed. The wonderful thing about the Academy Awards is that they are fundamentally trivial. To pretend otherwise is to trivialize movies."

- A.O. Scott, The New York Times

January 22, 2008

Reactions to the Nominations ...

"If you could bottle up the way that I felt this morning when I found out I was nominated, people wouldn't buy drugs anymore because this is just the best thing on the planet."
- Kevin O'Connell, on his 20th Oscar nomination for sound mixing, this time for "Transformers." He has yet to win.

____________________________

"I won the Golden Globe and it feels strange to be on the sofa watching the TV while they're saying your name. But at the same time you have to wear a tuxedo and walk the carpet, so everything in life is good and bad. Who likes the carpet? It's an exciting moment, but again it's the carpet that you have to do for an hour answering the same questions, so it's kind of weird."
- Supporting actor nominee Javier Bardem, on the pros and cons of skipping the Oscar ceremony if the writers are still on strike.

____________________________


"That's a no-brainer. Actors need writers. You know scripts don't write themselves. I'm here because this part is so well-written."
- Supporting actress nominee Amy Ryan, on why she won't attend the Oscars ceremony if writers are still on strike.

____________________________

“I received the great and very important news of the nomination of my film “Katyñ” in Warsaw this afternoon. Polish directors are no longer behind a wall and no longer have to use coded messages to communicate with their audiences. The Academy Award nomination gives “Katyñ” an additional opportunity to reach international audiences worldwide. 
- Director Andrzej Wajda's reaction to getting a nomination for foreign language film Katyn

____________________________

I've been at this a long, long time. It's a very difficult business. It's a very tough profession to be in. Not the work itself, but the kind of expectancy that you hope for. I've learned not to hope for too much, just to work hard. If something good happens, like what happened this morning, fine. You know? Wonderful.

In this case, to be nominated for an Academy Award, it's like a miracle to me, especially at my time of life. It's a miracle. Totally unexpected, and it's a miracle! I can't get over being grateful for it.

When you're an actor, you just think about the work. What's really important in the end is how your work affects the people in the audience.... You look in their eyes. That's really what's important, and you have to remember that. You can't let your head get all twisted around, wondering whether you're going to win an award. Because the award you already have. You know what I mean?
- Hal Holbrook, nominated for Into The Wild

____________________________

"I am tickled pink at the nomination ­ this film has been such a labor of love and I am very proud of it. I couldn¹t be happier for our entire cast and crew and am thrilled for Tony, George and Tom. I¹m celebrating with my family today and couldn¹t think of a better place to be when I got the news."
- Tilda Swinton, nominated for Best Supporting Actress for Michael Clayton

____________________________

"I'm pretty sure that I won't win, but it's thrilling to think there are five people and you are in the top five."
- Tom Wilkinson, supporting actor nominee for Michael Clayton.

____________________________

"It's as if I had swallowed some fireworks or something like this. My friends and my family in Paris, they are so happy."
- Marion Cotillard, on her best actress nomination for La Vie en Rose.

____________________________

"There were a lot of candidates and a lot of the awards shows or organizations this year have had different mixes of people. It was nice to see Tommy Lee Jones in there. He hadn't been in so much of the mix and when I saw his name come up and there was only one name left to go, I thought, `Naah, well, there's no way (I'll be nominated).' So to be honest, I was quite surprised."
- Viggo Mortensen, on his best actor nomination for Eastern Promises.

____________________________

"To be honest, I was really hoping that both pictures got in. It would have been a very leavening part of the experience if only one made it, almost better if neither had rather than just one, because you love your children equally and you want the best for both."
-Scott Rudin, producer of No Country for Old Men and executive producer of There Will Be Blood, both nominated for best picture Oscars.

____________________________

"It's unbelievable. Mom and I were in bed and dad was waiting up for the announcements again, because that's the way my daddy is. It's kind of a bit weird actually, in a good way, in a fantastic way. I never expected this in a million years to happen. I can't believe it. I'm really proud as well that two Irish paddies have been nominated for an Oscar for the same film. It's really great for Ireland, great"
- 13-year-old Saoirse Ronan, nominated for supporting actress for Atonement. Fellow Irishman Seamus McGarvey was nominated for cinematography.

____________________________

"I never imagined that I'd ever be in a position where I'd be receiving an Oscar nomination, an Academy Award nomination. It's the most exciting honour. It's going to take a while for the reality of this honour to settle in"
-Seamus McGarvey, nominated for cinematography for Atonement.

____________________________

"I would never cross a picket line ever. I couldn't. I'm a 20-year member of the Writers Guild. I think whatever they work out is going to be one way or the other but, no, I could never cross a picket line. I think there's a lot of people who feel that way."
- Tony Gilroy, nominated for best director for Michael Clayton.

____________________________

"No, if there's a strike I will not go but I have a feeling they'll solve it. I hope they do. I'm sure my mom would like to see me on TV and so forth, but if there's a strike I'm not crossing the line."
- Viggo Mortensen, nominated for best actor for Eastern Promises.

____________________________

"I don't think you can postpone it, it's not like a wedding. They're saying it's going to happen. If they throw the party, if they open the door, I'm going to go."
- Lianne Halfon, one of the producers of best-picture nominee Juno.

____________________________

"We're dealing with contingencies but we're thrusting ahead. The point is, we're going to have a show, and we're going to give these incredible artists what they're due. We're going to present the Oscars on Feb. 24, and that is the important thing. Artists are giving their fellow artists a one-time event in many of their entire lives."
- Sid Ganis, president of the Academy of Motion Picture Arts and Sciences.

____________________________

"While I was trying to play it cool, when I heard (director) Jason (Reitman)’s name I screamed ... We've been playing the texting game all morning. You never expect this. It's unbelievable. "
- Best actress nominee Ellen Page

____________________________

"We might get fish 'n’ chips because I hear they're really good here, but it won't be anything too posh. We weren't expecting this so we're going to go to the local supermarket and get the nicest bottle of champagne that we can. I might have a sip or two"
- 13-year-old Saoirse Ronan , who is up for a Best Supporting Actress award, is filming in New Zealand and had to be woken up to hear the good news.

____________________________

"I'm delighted that `There Will Be Blood' has been recognized by the Academy. These nominations are a testament to the cast and crew, who I am deeply grateful to, for their talent and collaboration. ... It's a thrill to be in this."
- Paul Thomas Anderson, nominated for writer and director Oscars for There Will Be Blood.

____________________________

"You put me shoulder to shoulder with a group of fine actors. I'm proud to be in their company and to have the broader recognition for the film is a lovely thing."
- Daniel Day-Lewis, best actor nominee for There Will Be Blood.

____________________________

"A nomination is a nomination and people will get a statuette at the end of the day. (But) it would be a shame if this strike persisted to the extent that the Oscars were canceled because it's a fun time, not just for those who attend but for people watching on television."
- Tom Wilkinson, supporting actor nominee for "Michael Clayton."

___________________________________

"I am grateful. Enormously grateful. Grateful to Sean Penn who gave me the role and directed this beautiful film, and grateful to Emile Hirsch-we really should share this nomination because we worked together. And grateful that after all these years of acting, I got a shot at recognition like this from the Academy. Miraculous. "
- Hal Holbrook, nominated for Into the Wild