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September 13, 2006
Times Of Desperation, L.A.
Some days, I just have to shake my head and wonder, do John Horn and Patrick Goldstein, two normally honorable men who have sincere concerns about the quality of the newspaper they work for, have the balls to speak to their bosses about a huge misstep like the new “Scriptland” column?
I am calling them out. I am calling Jay A Fernandez out. I am calling Betsy Sharkey out. I am calling Ken Turan out.
Why is the Los Angeles Times starting a gossip column about scripts? What is the news value in this? What is the morality of this?
Fernandez, who smugs it up like any arrogant, bored teenager with a blog and the need to scream like the day he was born, writes:
“Many people, beginning with Kaufman, do not want me to have the script, do not want me to read the script, and without question do not want me to write anything about the script.”
He then, of course, goes ahead and describes the script.
Well! You sure told that hack Kaufman, Jay! You are a man! You write shite for the L.A. Times... and the LA Times has nothing but contempt for screenwriters. Your mom must be proud.
This new spoiler-loaded column picks on a film with no distributor (the Kaufman), an early developing film for Sony, and a WB movie that is coming out in 3 weeks.
This is horrible precedent for the studios to allow in any way. A major paper legitimizing a part of the internet’s geek community that has been marginal enough not to cause damage in the past is the start of more paranoia and by denting the process of development, the real possibility of making movies worse than ever. Sorry, the LAT is there to report news, not to make it.
Screenplays are not hard to come by in Hollywood. Agencies and talent and execs all have copies lying around like used coasters. Copy machines are cheap and popular. And .pdf files are more popular for distribution every day. But watch as all of those additional voices inside the system that may influence improvements (and damage) are silenced by a system that realizes there is absolutely no reason for these films to be reviewed anywhere, online or in the L.A. Times.
It is easy for people who have no stake in these films to wave off any concerns with a haughty “movies suck anyway.” But they are wrong in more ways than they will ever understand.
There is the occasional reasonable situation in which a script gets reviewed. Maybe a script can’t get made for one reason or another. But that is not what this is about, anymore than a TV show reviewing a movie three weeks early has anything to do with serving the public. (Note: This blog is not the LAT... we can have arguments about that some other time, thanks.) This is about promoting the LAT and a desperation to find must-read material for the industry. And they would rather pull a cheap stunt like this than actually go out there are win the race on journalistic terms. (New efforts will include weekly Oscar pull-outs to be edited by former Variety V-Lifer Tom Tapp. And Ton O’Neil has been pushing various Gurus o’ Gold to dump MCN for a similar LAT effort all week here in Toronto.)
I would suggest that Sony (where the Kaufman will likely land as well) and Warner Bros withdraw all LAT advertising and shut out the paper’s reporters for a week as of today and that any studio or production company with a script reviewed in this column in future do the same. Response needs to speak to what really matters to the LAT... and ad revenue is all they care about right now. We're a year away from Page Three girls, folks. (Six months to test screening reviews.)
Is this really the lesson the Old Media learned from the internet? Pathetic. If lowering standards is The Future of Media, all of us in media are in a lot of trouble because lowering the bar will not raise revenues, it will just make every source of news equal, which is to say, unreliable, gossipy, and unworthy of serious consideration.
Posted by poland at September 13, 2006 10:53 PM
Comments
Wow.
That is a horrible idea.
Way for mainstream media to fuck with the creative process.
Congratulations LA Times, you just receded to a class beneath AICN.
Posted by: THX5334
at September 13, 2006 11:29 PM
For once, I agree with you wholeheartedly, David. I've never been into the idea of reviewing scripts, because I think it's a slight to the creative people...actors, directors, DPs, production designers... who will take that script and change it into something tangible and real. Movies should be judged by what's on screen, not what's on paper months before the movie is even made. I think this is a HUGE mistep by the L.A. Times and I do hope that the studios react to this the same way they do when internet fansites put up script reviews.
Posted by: EDouglas
at September 14, 2006 03:37 AM
the entire development process sucks already, this is just going in a worse direction. and I guess the most obvious question is what the f*ck will those "journalists" know about it anyway unless they are fishing for jobbing for re-writes?! Why be smug about scriptwriters--they already have nearly zilch power as it is, now they are to be tortured in public?
and how much would I want to see a movie where I had it all spoiled for me a year ahead of time? Forget it...this has to be the dumbest idea, financially and morally, of the decade.
They should call it the *Studio Money loser* column. It will be.
Posted by: Lota
at September 14, 2006 05:05 AM
What an absolutely useless column and what an insanely smug prick. This is a joke.
Posted by: Stella's Boy
at September 14, 2006 06:19 AM
Several years ago, a publicist for an indie production company accidentally mailed me a script for a film that had yet to begin shooting. When I opened the envelope, my first thoght was: Gee! I didn't know Director X had already finished another movie! (Then as now, I would occasionally get screenplays along with other publicity material for soon-to-be-released films.) My second thought: Wait a minute! I freakin' KNOW he hasn't had time to make another movie. So I called the publicist. And, well, all I can say is: Have you ever HEARD someone turn pale? She asked for me to please not read the script, and to PLEASE mail it back to her. So I didn't, and I did. i didn't think I was doing anything extraordinarily honorable. I thought I was being a professional.
Times change, I guess.
Posted by: Joe Leydon
at September 14, 2006 08:44 AM
I am not saying that I agree with the column and I fully understand why so many would be upset by it. Nevertheless, I also understand its appeal.
Film culture has become so mainstream since VHS that I think more and more people want to understand how and why movies are made/developed in an effort to demythologize them.
I am not saying this column is so sophisticated that it can do that, but it does seem to be a logical extension of a celebrity/film industry obsessed culture.
Film is still a new medium historically speaking and as such it is still an art form that is far from being democratic; but more people want to be a part of it now than ever. I think that is in large part the appeal of reality television. We can't all be the next Russell Crowe but at least if ever so briefly we can pretend to drink from his well.
That is also the appeal of the AICN culture to younger people. It makes you feel like you are a part of the process and much like downloading, once the genie is out of the bottle it can never be put back in.
It can only morph into something else.
Posted by: Nicol D
at September 14, 2006 10:39 AM
I think the only word to describe reading this column is indignation. It's wrong on many levels...the fact that the writer revels in his wrongness, the fact that it's in the LA Times, the fact that it concerns a writer whose delicate process just got slapped.
I guess it's their new motto: If you can't beat 'em, make your standards lower than theirs.
Posted by: palmtree
at September 14, 2006 11:12 AM
I agree with the column, but isn't this alot like those magazines and shows that rank sports teams based on what they did in the offseason? It's all speculation and everyone loooves to speculate.
EDouglas hit it right on the ehad though, a script can suck or be great based on directors, actors, cameramen. The whole column seems beneath a "big" newspaper.
Posted by: PetalumaFilms
at September 14, 2006 11:12 AM
This is a really cool suggestion on your part DP and should absolutely be something the WGA gets involved with in service to its members, immediately. I'd put it's priority as high as organizing reality writers -- it's that important.
Posted by: T.H.Ung
at September 14, 2006 11:34 AM
I wonder where we might be able to read Mr. Fernandez's scripts (and not just his Premiere preview piece of GRUDGE 2). Perhaps there's an unfinished novel he could pull the pages of from the bottom of that Trader Joe's sack in the corner? The world awaits...
Posted by: prideray
at September 14, 2006 02:19 PM
Good grief, what the hell is wrong with you people? Starting with DP, and moving down through just about everyone else here. So they're writing a column on unproduced screenplays. Big deal. The analogy that people are using about scripts being blueprings and all that horseshit is just wrong and a disrespect to writers. A good screenplay stands on its own as a work of art. Why do you think they publish screenplays and sell them in bookstores? Maybe you think it's wrong to spoil a movie before it's been made...so then don't read the column. But y'all are making WAY too big a deal about this...
Posted by: moontrip
at September 15, 2006 08:35 PM
yes, must agree. not exactly journalism. the scripts aren't even reviewed -- not really. their quality is described in a generally way, but there is no analysis of structure, story, etc. fernandez tells us how he feels, and the definition of difficult words, and what the poster for the movie might look like. this is journalism? no. it's blogging. he talks about screenplays without saying anything of substance -- a classic blog technique found daily on a million throwaway sites.
if lat wants to publish this sort of thing they should (at least) do it in a reporter's blog -- a sort of sidebar, not under the lat logo. (of course, lat may consider calendarlive to be such a sidebar).
most papers now have a hollywood gossip (or fluff) section on their sites to boost (or maintain) readership. but for lat to have to stoop to this level (considering they are located in los angeles and are surrounded by the people who actually make hollywood news) is sad.
but, lat is not to blame. really -- how many people under 40 can tell you what the president is up to these days? or have read a piece of classic literature in the last 12 months? or can name a supreme court justice and tell you what their political leanings are? lat is just trying to keep up with the demands of the public - and, generally, it demands fluff.
we live in a point and click world of increasing sub-literacy. this blogesque quasi-reportage is simply a sign of the times. sad as it may be one wonders how far down this slippery slope journalism will have slid in another ten years.
lat may have made a pact with the devil in order to keep readers -- but they are not getting readers of news, they are getting skimmers, doodlers, point and clickers -- those who tool around the web. what will they do if this column gets lots of hits? give us the latest 'who's dating who' gossip? probably. but that, increasingly, is what people want.
alas, this is just the beginning -- a beginning that has been well under way for at least 20 years. the real question is: why is this happening and what are we going to do about it?
fernandez says he feels sick to his stomach. so should the editors of the los angeles times, and so should we.
Posted by: kojled
at September 15, 2006 10:30 PM
Yeah guys, that's why ALL those great screenplays go unproduced. I'm a screenwriter and I recognize my role...it's a team venture.
Posted by: PetalumaFilms
at September 15, 2006 11:32 PM
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