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January 13, 2009
Gomorrah Rubbed Out
The Foreign Language Short List is in and the one real surprise on it is that absence of Gomorrah. The new set up has an executive comittee with 3 selections aside from the straight committee votes on the other six candidates. The Italian mob movie was expected to be an exec committee lock. It wasn't.
From here, there will be more screenings for a group who will choose 5 from the 9 after seeing all of them.
I still expect Waltz With Bashir to win the Oscar.
(For more info on the films that were in the chase, check out Nathaniel R's excellent pages on all the contenders.)
Headshaker to come... doc nods.
Posted by dpoland at January 13, 2009 01:14 PM
Comments
There's a lot of real heat about GOMORRAH at the moment due to one of the stars real world crimes. A shame it missed out but maybe, just maybe its more admired than liked. I admired the film and thought it really captured a sweeping (and interesting) story brilliantly but in the end it didn't engage me emotionally. It had energy, humour but very little poignancy. This possibly was intentional by the filmmakers but its the reason why I never would return for a second viewing.
Posted by: Jeffrey Boam's Doctor
at January 13, 2009 01:34 PM
I'm rooting for Waltz...think The Class has a shot though.
Posted by: LYT
at January 13, 2009 02:15 PM
No "Let the Right One In" either. Weirdness.
Posted by: don lewis (was PetalumaFilms)
at January 13, 2009 02:49 PM
I have the feeling that Waltz will win FL and not get nominated for Animated, which will be the exact opposite of Spirited Away.
Posted by: a_loco
at January 13, 2009 03:05 PM
Well, the Academy can't be blamed for not shortlisting "Let the Right One In" as Sweden decided to submit Jan Troell's "Everlasting Moments" instead (which is indeed shortlisted after also being nominated for a Golden Globe).
Posted by: Mikkel
at January 13, 2009 03:07 PM
Gomorra was frickin' brutal but awesome. It's too bad that it missed out on the short list. It's ten times the movie Bashir is.
Posted by: Aladdin Sane
at January 13, 2009 03:14 PM
Mikkel-
I kinda figured that was the case. But since Sweden seeminglt dissed "Let the Right One In," why aren't the filmmakers and distribution company jumping all OVER the praise being heaped on the film and putting it out in more theaters...or at least jumpstarting the campaign. They could be raking in the cash.
Reminds me of when OLDBOY hit theaters and they never pumped it by showing all the love it garnered on the net.
Posted by: don lewis (was PetalumaFilms)
at January 13, 2009 03:50 PM
Because LTROI would bore mainstream audiences to death. Hell, it bore me half way there.
Posted by: a_loco
at January 13, 2009 04:21 PM
The Swedish "Oscars" just split the top prize between "Moments" and "Right One," so apparently the Swedes like "Moments" just as much. (And, given that it's Troell, it probably would have a better shot with Oscar voters.)
Posted by: chris
at January 13, 2009 04:48 PM
While I haven't seen all the films that beat out Gomorrah to the shortlist, I'm not going to cry over it. Saw it a couple weeks ago, and while I was impressed to an extend, think it's a bit overrated. I found it far inferior to City of God, which it resembled a lot.
Posted by: lazarus
at January 13, 2009 05:08 PM
I saw The Baader Meinhof Complex and thought it was pretty impressive. I'd been hearing quite a bit about Gomorrah and it was on my short list to see next. I think Bashir will prolly move into first position. I'm wonder if it's like 2006 when I thought the foreign language films had it all over the best pic nominees & especially winner. ,
The sad thing is never getting a chance to see some great films if they don't make the final cut.
Posted by: Triple Option
at January 13, 2009 06:05 PM
Let the Right One In wasn't eligible because it opened in Sweden on October 24th, which makes it a 2009 film under the Academy's rules. It'll be eligible next year.
Posted by: Bob Violence
at January 14, 2009 02:46 AM
Triple Option: If you liked The Baader Meinhof Complex, definitely see United Red Army if it swings through your area (or comes out on subtitled DVD). It's an absolutely overwhelming work (in a good way) and frankly makes the Edel/Eichinger film seem thin and dilettantish by comparison. Naturally it had no chance of being submitted by the Japanese, much less acknowledged by the Academy.
Posted by: Bob Violence
at January 14, 2009 03:06 AM
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