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March 26, 1998

Tour of the Titan-ick!

Can't get enough of the Big Boat? Well, Oscar-winning composer James Horner will be touring the country this summer with his Titanic score and more, including a 30-minute suite of music that was cut out of the movie, "Titanic: The Composer's Cut." Guess this is kind of like the Shine tour last year only I'll be the only one shaking my head and talking to myself as the music plays.

MOUSE DROPPING: Your husband just won three Academy Awards, you were in a $100 million movie last year and you're still a blonde bombshell. What are you gonna do? Linda Hamilton is going to Disney's world! She just signed to voice the evil demi-goddess Nemesis on Disney's TV version of Hercules. Things are tough all over.

JUST WONDERING: Is Kevin Bacon doing a nude scene in Wild Things tat for tit?

KNIGHT AND DAY: Les Visiteurs is one of the highest-grossing comedies of all time in France. Yes, even bigger than The Nutty Professor. But when the film arrived in the U.S., seemingly predestined for remaking, nothing happened. Why? The film is based around two medieval knights transported into modern day. The argument was made that there is no tradition of knighthood in America, so the central premise was faulty for an American remake. But John Hughes sees it differently. No word on what the Home Alone creator will do to make the concept U.S.-friendly, but at some point, I expect to find the lost knights in a house that three burglars are trying to rob.

LOW-LITA NEWS: I have been critical of the censorship buzz around the distribution problems of Adrian Lyne's Lolita up until now. I still say the biggest mistake the production made was making the film before having a domestic distributor. When a movie like Basic Instinct got into trouble, the director could take the heat. But if a studio buys Lolita, the finished product, there are no excuses to make. On top of that, the film demands a minimum of $15-$20 million in prints and advertising to launch. The commercial failure of sexually controversial films like Henry and June and Showgirls means even that minimal amount could be wasted money. All that aside, the refusal of playdates on pay-per-view by DirecTV, Request TV and Viewer's Choice can be seen as nothing less than censorship. Hard to claim that Howard Stern and "His Many Lesbians" is OK to sell but a film based on a classic novel is not. A film that has already removed any nudity by the body double for the 12-year-old title starlet of the film. The one cable outlet still in talks with the producers is Showtime Networks, the exclusive cable home of The Red Shoe Diaries, Beverly Hills Bordello and the aforementioned classic, Showgirls.

READER OF THE DAY: From Geoff W: "While Stanley Donen's speech may have been more gracious than Cameron's, they both were the products of the pure joy that they each felt. Plus, Donen's was rehearsed and planned. Cameron was king of the world and shouldn't be criticized for saying it. That was how he felt and how most people would feel. Especially after spending three years of his life on the film and having to deal with all the criticism before the movie came out. Congratulations James."

January 29, 1998

Fight Over Summer 1999

IT'S WWIII FOR ME: After Disney's $2.6 million Super Bowl ad for Armegeddon, the reaction seemed universal. "Why are they making another meteor movie?!" Here's the next trend to be done to death. Fox is developing a Wired magazine story on cyber-terrorists as an apocalyptic thriller called WW3.com. They haven't even hired a screenwriter for the project, yet it's being touted as the studio's tent pole movie for July 4, 1999. But what about Star Wars, which is set for Memorial Day Weekend, 1999 and is expected to be under the Fox banner? Fox execs may be underestimating The Force. Meanwhile, Sony bought a spec script called, simply, World War III, four months ago with an eye toward-- when else? -- summer 1999. In political terms, this is called Mutual Assured Destruction.

DGA IN PLAY: This year's nominees for the Directors Guild Awards for 1997 have been announced. Don't expect any surprises here. It's James Cameron or L.A. Confidential's Curtis Hanson. If Hanson wins, every Oscar category is up for grabs. If Cameron wins, Titanic takes Best Picture and Best Director for sure. Clip & Save.

WHOSE COMIC IS IT ANYWAY: DGA nominee Gus Van Sant (Good Will Hunting) is in the writing phase of his next project with Robin Williams. He Won't Get Far is the true story of John Callahan, a hugely successful cartoonist and quadriplegic. Can you imagine what will happen when the hyperactive Williams plays a role requiring complete restraint? I can. Handicap + Superstar = Oscar!

FALSE HOPE: So, you want to sell your screenplay? I shouldn't be telling you about this, but Adam Herz, a 25-year-old on his way out of town just sold his script for $750,000. I look forward to meeting you when you try to duplicate his feat. But let's save a little time. Medium rare. Fries. A Diet Coke.

READER OF THE DAY: Krillian writes: "With 55 million girls in the U.S. aged 16 or younger and an average ticket price of $5.00 that means 2.2 million tickets were sold (about 4 percent of all young girls). Add mothers taking the wee lasses and teen boys thinking it'd be a good place to pick up on jailbait chicks and there you have the reason for the ubiquitous success of the Spice movie."

December 27, 1997

Sony May Have the Best Web site

Sony may have the best Web site of all the major studios. Well designed, a quick load and their individual sites are terrific. If you have a slow computer, watch out. Lots of neat Shockwave stuff. Starship Troopers and I know What You Did Last Summer are still worth checking out, even at this late date. And As Good As It Gets should offer at least a few Academy Award nominations.

The art vein of the company is still worth following. Sony Pictures Classics offers insight into Afterglow, a movie that no one in America has seen other than critics, but still won Julie Christie a Best Actress nod. And they archive all their movies, so you can look back at camp classics like Welcome To The Dollhouse or check out the last film from the director of Alien 4, The City Of Lost Children or even look into the best documentary of 1996, the brilliant Crumb .

Of course, what you really want to see is Godzilla. Yes, size does matter, And Centropolis, the production company of Dean Devil and Roland Emmerich (who last created ID4), has had a site up for a long time now. It's worth the trip. As an aside, the boys offer The Godzilla Rumor Sheet, putting to bed once and for all that Jennifer Aniston is not in Godzilla, plus a lot more. Check it out.

December 26, 1997

Universal and A Few Indie Websites

Universal Pictures has an expansive site. It takes a month to load, but such is the life of the Web. You can check out their only major Oscar release, The Boxer before you have any chance to see it. But the most popular thing on the site is the retro-horror section, which brings back Universal's horrific past (Frankenstein, Dracula, The Mummy, et al). But back to its horrific present. Take an early look at Blues Brothers 2000 or other coming attractions.

Universal recently purchased a piece of October Films. They are the people who brought us Oscar nominee Secrets & Lies last year. They have posters for you and a look at some interesting movies, though no nominations are expected this year, unless Robert Duvall's The Apostle (still without its own link) comes through with the Billy Bob Thornton vote.

As alternatives, check out some of the independent Web sites. Polygram became a hot indie with Four Wedding and A Funeral. They are still busy pushing Fargo, last year's big critical hit. Castle Rock is the home of Rob Reiner, but these days Seinfeld takes precedence even over Rob. Not much there, but Coming Attractions includes -- what else? -- Seinfeld creator Larry David's first movie, Sour Grapes, starring Steven Weber, the hubby of Rough Cut TV's Juliette Hohnen. Last, but least, check out Trimark Picture's site, which is still pushing Chairman of the Board, starring Carrot Top. But seriously folks, the company put out the wonderful Eve's Bayou, probably by mistake.

E-mail your box office predictions. I'm back, live, on Monday and I'll give credit where credit is due.

September 15, 1997

LA Confidential Emerges as Strong Oscar Contender

It was no contest as The Game won the weekend box office race. It was the only real contestant. With over $14 million at the box office, it did more than four times as much as G.I. Jane, yet fitting its labyrinthine plot, The Game disappointed. It was Douglas' best opening since Basic Instinct's $15.1 million, but movies had a longer theatrical life back then. It was the second best September opening ever, after last year's The First Wives Club, but Goldie, Bette and Diane did $18.9 million, 35 percent more than The Game. Ultimately, The First Wives Club hit $100 million. The Game won't come close. Especially with L.A. Confidential coming in hot on its tail.

Speaking of L.A. Confidential, the first of this year's serious Academy Awards contenders, it has three remarkable features. First, with an Oscar in hand, Kevin Spacey now gets top billing for playing the same kind of small character part he played when he was billed fourth. Second, two Australians, who first became famous for their work as gay men -- Guy Pierce in Priscilla, Queen of the Desert, and Russell Crowe in The Sum Of Us -- are now going to be known as hard-bitten L.A. detectives from the '50s. And third, Kim Basinger really can act. The degree of amazement may not be in the order listed.

Sony's promoting Gattaca by running realistic print ads for genetic engineering with a small Sony tag on the bottom. Those interested are instructed to call 1-888-4-BEST-DNA. Don't dial quite yet. The number wasn't working as of posting time. Seems that there has been some controversy about the ads being too real and somehow insulting those of us who haven't been genetically engineered. For my two cents, I wouldn't put my child's DNA in the hands of a company that couldn't come up with a better name for a movie than Gattaca.

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